D I S C O N T I N U E


Discontinue
          
          catalogues record the days

Half discarded way full of blank

     unnamed arise and fall away

They wait are they called on

Space in private intrude not better

Walk this we as if full with arms

We drop socks pick to stoop

And grab ourselves in fits

Comedy sheds

Blunders all the evidence

So sad yes lies in thought

The flood of feel you coming

From the catalogues: a

Spontaneous chaos advocate the of

Improvisational legends made

These thoughts that arise in arbitrary grid

Are pulled away

The color is red, the image: a


Bellows. 

Unknown


Unknown

Condition Interruptus
Falls like snow on the silent evening home where when
Faced with the view of all possible actions we avert our eyes or
do not choose an expression to read in
all that misspent money or retrospect chose not
choice with our proximity constraint now broken
remains our interruption
pulled for scrap
value now highlighted now thrust
into away the center from stage
strange grammar
the days feeling the
height of falling the land appears just the best AbEx you ever saw
but it tells of none smaller
material
the material of your day s was how and
the refractions of light inside these walls of

falling            from
higher than the birds to land soft in
this breast on this day
 “I have to get out of this”
the result not conclusion
sending it back out in refractions
(never) changes
it self is under where the action
is not sleeping but not moving being
but not opens to
gather the strands
yanking them from the throat
down to the guts
‘it’ becomes relationship and ‘we’
becomes just becomes
some becalmed story
put to sleep
never more lovely than
more lonely
then more lovely
than

material


material generating generating material couture
empirical excise cannot fight
techno-gig
runs without thinking
come on un
zip no lip
synching professionalism and pomp
other p words fit
my platform haven’t you noticed
we’re absolutely in it there’s no
question the man sweetie wasn’t
trying to scar you drunk
he's just and doesn’t know
this child is over
there by the pile of hammers Daddy
shouldn’t yell so maybe
 that’s not true
You make words with
your big hammer:
Human services human. Etc.
Over and again story
of my life mine
the be/st  (a)
       lets do property hop
        a train lets you go
        vroom 

I n t e r r o g a t i o n




smoke scrambled a picture ascension hung over the line between new form and notes a not sufficiently developed distanced ironic mysticism this theory is a toy-child whose body isn’t even anymore people want pizzazz and pizza want to read with a drunk on a tear slips down the face of the statue of nobody doing the busy busy doing the popular activity hereby reproached simply by mention what the intention are you thinking you think you are writing
you look off into the sky while typing the words is there any beer in the fridge for a potbellied narcissist who sweats pages of proto-narration congealed into this gloop of a sauce but a casserole won’t wait just serve it
that’s your pitch whose talking stop butting in that’s final she’s walking fuck this fuck that revenge must be hot you have to get revenge fresh from the market that morning



now we can’t get back in the garden of forking paths the walls are made of fog the rocket ship made of logs somewhere somebody please she can’t reach her arms are that small and then we abandoned the she voice to find animals in the sky very worthwhile and logical they make a lot of a sense totally whose brain said that to a dog and a fly at the same time both replied you’ve got to be kidding but they rsvp’d regardless sometimes you have to play the game SHE was in the broom closet drunk on vitamin water and you were enchanting in your hoop skirt 

ID entity



 shut up faces of places we go we are tired of trying to board my presence we don’t mention you crying you envy that edge for to keep it from coming to bear on the matter the pressure disaster swelling above the crowd the swelling crowd bearing on their hands a hard rhetoric a cask draped in the black banner provided its note through the new tone mounted in fear pressing down harder trying to fit the lips of the process over the sex of the concept how irresponsive regardless heartless wish it had never started.



WEnare the face of places, tired we flip through the catalogue of instances try and find an situation that will fiT the mood Fit to feed computing machine bleep blop a punchcard pops out your mouth the langage of pressure the invisible presence a-a cream IN visible creams hard bearing there where they’re revolving in the center where all the threads are blended the crowd gathered Under the grey half dome Under the giant tRemors begin irRepresSible not thoughtS exactly an image you can Run with - why has the crowd gathered

                        They / upset / something (are, about)

       - Why has the helicopter / (arrived)

Private security

In one of these buildings perhaps in a suit e
The target trembling / (hiding) a function
ary ultimately a chain of puppets; )
that is what  one pulls back
                                      the curtain  reveal a tower high as justice
all types / motion / happening (of, are) helicopters garner attention with their roar the little droplets
glisten
pouring from their bellies, look see the muzzles poking out
the sides gleam like camera lenses they are ready to take pictures

                        The crowd is passing a small box
            around in pah there upstretched hands s a picture on the box, but we can’t make it out. Goodbye.

New Poem


Associate



Stoners and welders burn through the pot black space a light left slug trails? It gets under your pants. It burns. The form of the face hidden in the open sex impact we feel land we flee tour-selves.

We must have got lost, this place is not where we left. Everything is bigger or smaller than it was. Ratio between the now-size and the past-size:  adjustable relation. As we ration the memory of our lovers gaze breaks in the face of (this) gathering mass hot like melted iron (abrupt redaction).

Interrogation 4


The days soft from deluge rain
the deluge spent the beautiful day
in the cavern dream
echo of music
I no longer follow

The last cry of an animal the sound
n my ears looking over the bad poetry
such dumb, rough tongue as not fit for metaphor
the exaltation of decay
a day-dream of No

Consequences
and the outside world
wear cold splendor belongs
to anyone more spot on,
more talented than yourself

Intelligence, such as it is,
self-pitying and grand
 this is o.k.
this is people
grist for the mill.
The insinuation: being.

This mess is dirtying,
but to become more seems half-
a raggy chew
toy with
this navel
gazing
Consequence: